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Timing cues are an essential feature of music. To understand how the brain gives rise to our experience of music we must appreciate how acoustical temporal patterns are integrated over the range of several seconds in order to extract global timing. In music perception, global timing comprises three distinct but often interacting percepts: temporal grouping, beat, and tempo. What directions may we take to further elucidate where and how the global timing of music is processed in the brain? The present perspective addresses this question and describes our current understanding of the neural basis of global timing perception.

Original publication

DOI

10.3389/fpsyg.2014.00159

Type

Journal article

Journal

Front Psychol

Publication Date

2014

Volume

5

Keywords

beat, brain, fMRI, grouping, meter, music, rhythm, tempo