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Gerota's name is associated with two eponyms and two histochemical methods, but he was also Brâncuşi's teacher and supervisor. When Brâncuşi was a student in Bucharest, he produced an 'écorché' (flayed man), of which six plaster replicas still exist, two in apparently the original shape and four which have been modified/'cosmetized'. The two are in the University of Arts in Bucharest, one in the main hall, the other in the classroom used for teaching students. Of the other four, one is in the Museum of Arts and one in the Museum of Natural Sciences of Carol I National College in Craiova (where Gerota graduated in 1885), and one each in the Faculties of Medicine in Cluj Napoca and Iassy. One more probably existed in the Faculty of Medicine in Bucharest, and one in the Faculty of Fine Arts in Iassy but no trace of them could be found. The original clay model was lost (or destroyed during transportation) in the 1930s or 1956. Two variants of the écorché exist: one 'artistic' (slender and smoother) in the University of Arts in Bucharest; the other more 'anatomical' (muscular, robust, athletic) in Craiova, Cluj and Iassy. Both variants are a very realistic representation of the human muscular system, but with that extra which only a master artist can add. Interestingly, the head of the écorché bears a striking resemblance in attitude and curves to that of Brâncuşi's famous head of Mademoiselle Pogany. The replicas appear to have been distributed to embellish the capitals of four of the six historical Romanian provinces: Muntenia (Bucharest), Oltenia (Craiova), Moldavia (Iassy), and Transylvania (Cluj).

Original publication

DOI

10.1111/j.1469-7580.2009.01180.x

Type

Journal article

Journal

J Anat

Publication Date

02/2010

Volume

216

Pages

275 - 278

Keywords

Anatomy, Art, Famous Persons, History, 19th Century, History, 20th Century, Humans, Romania